Showing posts with label Chesterton and other authors. Show all posts
Showing posts with label Chesterton and other authors. Show all posts

Thursday, September 24, 2009

More Recommended Reading

It's Lewis that time. I just read That Hideous Strength in a three-to-four day reading whirlwind. There were times when I even sneaked it into Holy Hour! :)

Anyway, it's quite good. And, unlike Chesterton's "novels", it's a bit believable.

Sunday, August 2, 2009

On WWI

I read my first Christopher Dawson book over the weekend, 'The Judgement of Nations.'

It's like a scholarly but dry summary of all of Chesterton's essays on WWI, the spirit of Europe, and the League of Nations. Plus information on secularization, religous freedom, and the dangers of Leuthearism.

Thursday, May 7, 2009

A link to an essay inspired by the ideas from a chapter in a dissertation written by a
fan of Chesterton (how’s that for degrees of separation?!)

click here

And if you want to read the real dissertation, it is

here

You may call her Jen, Dr. Thursday, but I WILL NOT!

Thursday, April 23, 2009

How Chesterton saved me from athie...boredom

> Do not underestimate the power of rhetoric. It does not decide truth and untruth, but it can do many terrible things to them...
>
> A few days ago, a few years of me despising anti-Chestertonality almost went down the drain. No, Obama didn't almost outlaw Chesterton...not quite that bad. Rather, I was assaulted by the power of Niechtchze.
>
> Now, mind you, I wasn't actually reading N. directly, although, for good or ill, I am that foolish. Rather, I was reading what I thought would be a morally 'safe' publication, written by a professor at the Univeristy of Dallas and bought in the Ave Maria University bookstore. The book is not morally safe, but keep in mind that the opposite of "safe" is not necessarily "dangerous."
>
> Entitled 'Placing Aesthetics,' the book investigates the place of art in the thoughts of several prominent thinkers, including Chesterton's antitheses, Schopenhauer and Mr. N. No matter how stupid the main system of thought is, the views specifically on art generally contain a small bit of truth. But in finding this bit of truth, one must sort through all the untruths provided by the thinkers for our amusement. And the thought of Mr. N is nothing if not filled with untruths and amusements.
>
> Actually, amusement is too weak of a word to detail the appeal of N. Chesterton, yes, can separate the thought from the rhetoric and reveal the result as a boring and tedious world-view, but 'Placing Aesthetics' references Chesterton infrequently at best. I had to face the (toned-down) glories of the rhetoric of N., seemingly without GK. Very exciting, almost as exciting as listening to "Nacht" from "Pierriot Lunaire" without the protection of a music theory teacher.
>
> And the boredoms revealed by Chesterton are, at first glance, but a tribute to the glory of the falsehoods. The ultimate hero for N. is one who defies the very absence of God to live a life and try to add meaning to it. Many thrills that the Christian experiences equal and exceed this one, but none are quite like it...or are they?
>
> And as I was bemoaning my sorry state of being enamoured in a seemingly completely unique way of something I could not believe, Chesterton rode to my rescue on Sunday's elephant.
>
> The drama of the N.-type hero consists in the magnitude of the hero's defiance, a defiance in magnitude similar to that of the anarchist Gregory. Sunday answers the drama of Gregory by referring to the sufferings of Christ. Christ, like the sort of hero and like Gregory, is in opposition to God. As the psalmist says: "it pleased Him (God) to crush Him (the Suffering Servant, Jesus) in infirmity." Jesus Christ and the defiant un-theist are both crushed in infirmity because of their defiance of their opposition to infinite realities. Both carry out their actions in defiance of the complete despair that accompanies the absence of God (Jesus felt the absence of God on the Cross). But Jesus also has the Resurrection. Hence, nothing tragically profound is lost by being Christian, and God is gained. From the depths of my attraction toward the thoughts of this atheist, Chesterton provided the hints that transferred the full force of my admiration to the Drama of God.

Wednesday, March 4, 2009

Commentary Concerning Musuems

In the latest Gilbert! Magazine, Fr. James Schall, S.J. has an excellent article on the modern institution of the musuem. Apparently, Chesterton disliked musuems. The article left me wondering why I do like them, and whether my liking is a good thing.

But first, Gilbert's reasons for dislike.

Chesterton classifies two types of sightseers. First is the accidental sight-seer, who sees a sight while going about his daily business, and the sight surprises him with what he did not know before and was not expecting to learn. This is a good sort of sight-seer because the sight effects him in a good way by way of surprise. Second is the type of sightseer called a pilgrim, the sort of person who goes to a place of pilgrimage with the deliberate purpose of seeing what they know to be there. This sort of person is good because they become holier and/or satisfy a good human desire. But a musuem, says Chesterton/Fr. Schall, is not for either of these sorts of people. Rather, this overstuffed institution is for specialists and for people who go there to learn philosophically disconnected bits of more or less useless and unedifying information.

Frankly, I was troubled. I LOVE going to musuems. Is something wrong with me? Chesterton says that when we dislike something, we ought to investigate our reasons for the dislike; that is what he does in the essay Fr. Shcall refers to. After reading Fr. Schall's essay, however, I am wondering whether I ought to investigate the reasons I like something. Antifreeze tastes good just like sugar, you know.

One thing was quite cosoling to me. I do not go to musuems as a specialist. When I was in Dallas, I went to a musuem of Oriental art, not because I am a specialist in Oriental art (though I daresay I might know more than many other Americans), but because I like it. And I daresay that I have never gone to a musuem just to learn about something about which I already knew a great deal; I always went because I wanted to.

But neither have I gone and been philosophically disconnected. Although the musuems may not provide the connections, in a way, it is appropriate that they do not. By the very fact that the connections are not provided, one is much freer to MUSE upon those very connections or lack thereof, provided they are even aware that the notion of philosophical connectedness exists. In the very hell-heart of philosophical disconnectedness, a Modern Art musuem, the muse is at work, forcing us to ponder what we can guess about the philosophical beliefs (or again, the lack thereof) of the artist. If all else fails, one can say "Ultimately, God made that, and that, and that and that and..." and come away better than they went in. Going to a musuem to contemplate...that sounds just like a pilgrim.

But in fact, I think that my personal style of purposefully also includes the method of the surprised traveller. In no place other than a musuem (and this is brought out wonderfully in "Night in the Musuem") can you EXPECT A SURPRISE. One goes to a musuem expecting to learn an "I know not what," whether it be that Catholic Priests appear in Mideval Japanese art, or that Evolution is a good story, regardless of whether or not it is true, or that the Musuem of Modern Art in DC serves the best ice cream in the world.

Let us not lament the existence of musuems; let us lament those who use them improperly.

Monday, March 2, 2009

GK’s “What’s Wrong with the World” as a work of Anti-Utopian Literature

Whether or not Anti-Utopian Literature is a literary category in itself is a matter of debate. With the works of Chesterton, it probably doesn’t matter anyway. It’s the anti-utopian ideas within it that are of interest.
This may come as somewhat of a surprise. After all, doesn’t the very title imply that Chesterton wants a better world? But Chesterton’s ideal world is anything but a utopia, and the ideas of his ideal world are anything but similar to the utopian ideas of others. I’ll be using ‘The Republic’ for most of my examples because “What’s Wrong With the World” specifically countered some of its concerns for me that I could not answer.
With unexpected efficiency (because we ought not expect that what’s actually wrong with the world is a method just as much as a thing or condition), Chesterton outlines the method of dealing with social problems that has caused yet worse social problems: that people prescribe cures for social evils without considering that others in the world might not agree that the result is desirable. The perennial example (I don’t remember if Chesterton actually uses it) is the teetotaler (of course): there is less question that making alcohol illegal under Sharia law will reduce drunkenness than there is that eliminating both alcohol and drunkenness from the human condition is a good thing.
And this is exactly the first error of utopians. In their utopias, both Marx and Plato wish to make a perfect world through changing human nature: Marx by placing humans in a questionably effective economic environment, Plato by a state-sponsored system of ideal education (Plato’s world is not perfect, even according to him, as he admitted it would fall into decay, though through questionable methods, but he did see it as an improvement over what the Greeks had at the time). This is exactly what Chesterton denies; he wants to describe a better society for humans as they are, with full attention given to Original Sin, the relationships between the sexes (even the culturally determined ones), and the good-but-dangerous inclinations of humanity.
In the question of the roles of the sexes (the one I could not answer), Chesterton in fact provides an answer to Plato’s most difficult false thesis: that women should be given exactly what they have aptitude for, even if their aptitudes are manly. Chesterton answers (without specifically referring to Plato, by the way), that even if this is a good, it destroys two goods, men and women, two elements of human nature. It destroys men by destroying comradeship (a specifically male form of friendship with these five qualities: equality among those concerned, an impersonal treatment of the others, a ’were all in this together’ attitude, competition (whether verbal or non-verbal), and bad, bold, physically dirty manners) because women can neither be comrades nor do they generally even permit it among men if they can help it. It destroys women by destroying their broadmindedness (their ability, within the home only, to do and think and answer childish questions about everything, rather than one specialization), their dignity (which is there terrible and impressive atmosphere of cold modesty: “But when men wish to be safely impressive, as judges, priests or kings, they do wear skirts, the long, trailing robes of female dignity The whole world is under petticoat government; for even men wear petticoats when they wish to govern.”), their freedom (for if they act like men, they will do it, and their former housework, with an enslaving conscientiousness), and their protection from the evil of politics known as punishment of criminals.
Plato is in many other ways opposed to Chesterton in the way described above, for he constantly ignores the good he would destroy by removing an evil that is opposed to his utopia. Removing all musical modes except the Dorian and Phrigian might destroy drunkenness, but it would also destroy drinking-songs. Taking the children to view the battles might destroy their fear, but it would also destroy their innocence. Living in common might destroy selfishness, but it would also destroy a man’s right to be king and knight-errant in his own home. Making government more efficient might destroy inefficiency, but it would also destroy democracy.
We know what Chesterton would say about all these objections to utopia. The fact that Plato does not address them, and that Marx’s addressing of them are at best insufficient points to the fact that the non-ideal state of Chesterton is the superior state.